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"Yuan Goang-Ming: Everyday War", installation view of Taiwan Collateral Event 2024 at the 60th Venice Biennale. Courtesy ©TFAM.

“Everyday War”: In Conversation with Yuan Goang-Ming at the 60th Venice Biennale

Yee I-Lann, with weaving by Kak Roziah, Kak Sanah, Kak Kinnuhong, Kak Koddil, Tikar Reben, 2021, video still. Image courtesy Andy Chia.

Yee I-Lann: Until We Hug Again at CHAT, Hong Kong

Yee I-Lann's textile works encourage to embrace and reconcile differences, and celebrate local cultural traditions and diversity.

Park Chan-kyong, Belated Bosal, 2019, HD film, black & white, 5.1 channel sound, 55min. Installation view at MMCA Hyundai Motor Series 2019: Park Chan-Kyong – Gathering, MMCA, Seoul. ⓒ Hong Cheolki

Exhibitions

MMCA Hyundai Motor Series 2019: Park Chan-kyong

Park Chan-kyong's "Gathering" looks at Post-Disaster art and the changing role of the museum.

Shu Lea Cheang, "3X3X6", mixed media installation. © Shu Lea Cheang. Image courtesy the artist and Taiwan in Venice 2019.

Interviews

Talking sex, gender and surveillance with Shu Lea Cheang at the 58th Venice Biennale

Representing Taiwan in Venice, Shu Lea Cheang speaks about her multimedia project "3X3X6".

Bird-shaped earthenware, Age of the Three States, Gwangju National Museum, exhibition view at 13th Gwangju Biennale, Gwangju National Museum, 2021. Photo: Sang tae Kim.

Biennales

Minds Rising, Spirits Tuning: the 13th Gwangju Biennale — Part 2

ASIA looks at some of the new commissions at Asia's oldest biennale, which sets out to "examine the spectrum of the extended mind".

TASTEHOUSE × WORKS, OoH, 2021, 11th Seoul Mediacity Biennale at K-Pop Square, 2021. Photo by Cheolki Hong, glimworkers.

Biennales

11th Seoul Mediacity Biennale: One Escape at A Time — Video Tour

ASIA | Art Spectacle International Asia is an independent online magazine covering contemporary art from Asia-Pacific to the Middle East.

Founder and Editor C. A. Xuân Mai Ardia is a Vietnamese-Italian from Padova, Italy. She currently resides near Venice, Italy, but she has lived around the world for more than 20 years. London was her home throughout university and her first forays in the art world and gallery work, until she moved to Shanghai in 2006 where she worked for Pearl Lam Galleries (then Contrasts Gallery) until 2009. She has lived between Ho Chi Minh City, Vietnam, and Padova, Italy in 2009-2016, where she worked at Galerie Qyunh, Craig Thomas Gallery and contributed to Art Radar.

Mai holds a BA in Chinese | History of Art and Archaeology and an MA in Chinese Studies from the School of Oriental and African Studies (SOAS), University of London, UK, as well as an MSc in Development Studies | Conservation of Cultural Heritage from the School of Development, Innovation and Change (SDIC), University of Bologna, Italy. She has worked in the conservation of world cultural heritage in Rome and in contemporary art galleries in London, Shanghai and Ho Chi Minh City. Her articles have been published in Art Review Asia, Art Radar, The Culture Trip and CoBo Social.

Mai joined the Art Radar team as Copy Editor in May 2013, and became Staff Writer in November of the same year. Continuing to contribute her writing to Art Radar, she took up the role of Managing Editor from November 2015 to December 2018, when Art Radar ceased publication.

To continue on and contribute to the dissemination of contemporary art ideas and practices from Asia, Mai founded ASIA in Spring 2019.

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