#SEASpotlight | The Globalisation of Art Markets

As cities everywhere adopt the formulas of art fairs and biennales in order to assemble international and local gallerists, artists, collectors and audience under one roof, more and more art markets, which were once unconnected, become interlinked with each other. This conversation between Tim Etchells and Emi Eu traces the development of the art market in Southeast Asia in relation to India, China and Euro-America in terms of infrastructures, models and identities, and speculates on the future of art fairs and art markets both regionally and internationally. They also look in detail at some key trends, developments and outlook for the Southeast Asian art market.

Tim Etchells is one of the major forces behind the development of art fairs in Asia-Pacific. He was a key organiser of ART HK, now Art Basel Hong Kong, he launched Sydney Contemporary and Art Central in Hong Kong, and is a key founder of Taipei Dangdai and the upcoming ART SG. Among other important roles she has held in the Singapore art scene, Emi Eu is a member of the Selection Committee for Art Basel Hong Kong, and has been the Executive Director of STPI since 2009. Since 2007, she has also been the Programme Director of Fondation d’enterprise Hermès Aloft in Singapore.

About ASIA

ASIA | Art Spectacle International Asia is an independent online magazine covering contemporary art from Asia-Pacific to the Middle East.

Founder and Editor C. A. Xuân Mai Ardia is a Vietnamese-Italian from Padova, Italy. She currently resides near Venice, Italy, but she has lived around the world for more than 20 years. London was her home throughout university and her first forays in the art world and gallery work, until she moved to Shanghai in 2006 where she worked for Pearl Lam Galleries (then Contrasts Gallery) until 2009.  She has lived between Ho Chi Minh City, Vietnam, and Padova, Italy in 2009-2016, where she worked at Galerie Qyunh, Craig Thomas Gallery and contributed to Art Radar.

Mai holds a BA in Chinese | History of Art and Archaeology and an MA in Chinese Studies from the School of Oriental and African Studies (SOAS), University of London, UK, as well as an MSc in Development Studies | Conservation of Cultural Heritage from the School of Development, Innovation and Change (SDIC), University of Bologna, Italy. She has worked in the conservation of world cultural heritage in Rome and in contemporary art galleries in London, Shanghai and Ho Chi Minh City. Her articles have been published in Art Review Asia, Art Radar, The Culture Trip and CoBo Social.

Mai joined the Art Radar team as Copy Editor in May 2013, and became Staff Writer in November of the same year. Continuing to contribute her writing to Art Radar, she took up the role of Managing Editor from November 2015 to December 2018, when Art Radar ceased publication.

To continue on and contribute to the dissemination of contemporary art ideas and practices from Asia, Mai founded ASIA in Spring 2019.

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