ruangrupa appointed Artistic Directors of Documenta 15

The next edition of the international quinquennial art event will take place in 2022.

RUANGRUPA (left to right): Ajeng Nurul Aini, Farid Rakun, Iswanto Hartono, Mirwan Andan, Indra Ameng, Ade Darmawan, Daniella Fitria Praptono, Julia Sarisetiati, Reza Afisina. Photo: Gudskul | Jin Panji. Image courtesy Documenta, Kassel.
RUANGRUPA (left to right): Ajeng Nurul Aini, Farid Rakun, Iswanto Hartono, Mirwan Andan, Indra Ameng, Ade Darmawan, Daniella Fitria Praptono, Julia Sarisetiati, Reza Afisina. Photo: Gudskul | Jin Panji. Image courtesy Documenta, Kassel.

The Jakarta-based collective ruangrupa will be the artistic directors of Documenta 15, which will begin on 18 June 2022. This appointment marks the first time that the quinquennial 100-day event will be led by an artist collective and the first time by an artistic director from Asia. Sabine Schorman, General Director of Documenta and the Fridericianum Museum, announced ruangrupa’s appointment at a press conference on 22 February 2019. The international finding committee that nominated ruangrupa comprised: Ute Meta Bauer, founding director, NTU Centre for Contemporary Art Singapore; Charles Esche, director of the Van Abbemuseum in Eindhoven, and curator of the 2015 Jakarta Biennial; Amar Kanwar, artist and documentary filmmaker, whose works have appeared in the last four editions of Documenta; Frances Morris, director of Tate Modern in London; Gabi Ngcobo, curator of the 10th Berlin Biennale; Elvira Dyangani Ose, director of The Showroom London; Philippe Pirotte; and Jochen Volz, director of Pinacoteca do Estado de São Paulo.

ruangrupa, RURU, 2000-ongoing, mixed media, dimensions variable. Installataion view at 31. São Paulo Bienal, 2014. Photo: ruangrupa.
ruangrupa, RURU, 2000-ongoing, mixed media, dimensions variable. Installataion view at 31. São Paulo Bienal, 2014. Photo: ruangrupa.

At the press conference, ruangrupa members Farid Rakun and Ade Darmawan commented:

Our curatorial approach aims at a different community-oriented model of resource usage – economical, but also taking ideas, knowledge, programs and innovations into account. If Documenta was launched in 1955 to heal war wounds, why shouldn’t we focus Documenta 15 on today’s injuries, especially ones rooted in colonialism, capitalism, or patriarchal structures, and contrast them with partnership-based models that enable people to have a different view of the world.

ruangrupa, SONSBEEK'16, "transACTION", Arnhem. Isvanto Hortano, Feldküche (Mellow) * 2, 2016. Photo: Maurice Boyer.
ruangrupa, SONSBEEK’16, “transACTION”, Arnhem. Isvanto Hortano, Feldküche (Mellow) * 2, 2016. Photo: Maurice Boyer.

ruangrupa define themselves as a contemporary art organisation, founded in 2000 by a group of six artists in Jakarta – Ade Darmawan, Hafiz, Ronny Agustinus, Oky Arfie Hutabarat, Lilia Nursita, Rithmi – and now counting more than ten memebers in total. As a nonprofit organisation and artist collective, whose artistic and curatorial practice is based around community engagement, ruangrupa works to “advance art ideas in urban context” through exhibitions, festivals, an art laboratory, workshops, researches, as well as book, magazine and online journal publications. ruangrupa in Bahasa Indonesian loosely translates as “space for art” or “a space form”, and since 2008 the collective runs an art space in South Jakarta, called RURU Gallery, providing an exhibition space for young artists, writers and curators.

ruangrupa, The Kuda: The Untold Story of Indonesian Underground Music in the 70’s, 2012, mixed media, dimensions variable. Installation viewat the 7th Asia Pacific Triennial of Contemporary Art (APT7), 2012. Photo: ruangrupa.
ruangrupa, The Kuda: The Untold Story of Indonesian Underground Music in the 70’s, 2012, mixed media, dimensions variable. Installation viewat the 7th Asia Pacific Triennial of Contemporary Art (APT7), 2012. Photo: ruangrupa. Installation view Ruangrupa

Since 2003, the collective has been organising the annual OK. Video – Indonesia Media Arts Festival, and since 2004, the Jakarta 32°C, a biannual art event presenting the best visual works of Jakarta students. ruangrupa also runs the ArtLab, a programme of art projects that aims to conduct researches and creative collaborations on urban and media issues, and provides a space for collaboration for both individual artists and collectives of interdisciplinary fields from inside and outside Indonesia. In 2018, ruangrupa established GUDSKUL, an educational and networking project for creatives based on cooperative work. Other initiatives include RURU Radio and Karbon, an online journal that discusses public space issues and Indonesian urban art and culture viewed from various perspectives in critical, creative and imaginative ways. In 2016, ruangrupa curated the Sonsbeek public arts festival in Arnhem, titled “TransACTION” and as artists, they have participated in editions of the Gwangju Biennale (2002, 2018), the Istanbul Biennale (2005), the Asia-Pacific Triennial of Contemporary Art (2012), the Singapore Biennale (2011), the São Paulo Biennale (2014) and the Aichi Triennale (2016).

About ASIA

ASIA | Art Spectacle International Asia is an independent online magazine covering contemporary art from Asia-Pacific to the Middle East.

Founder and Editor C. A. Xuân Mai Ardia is a Vietnamese-Italian from Padova, Italy. She currently resides near Venice, Italy, but she has lived around the world for more than 20 years. London was her home throughout university and her first forays in the art world and gallery work, until she moved to Shanghai in 2006 where she worked for Pearl Lam Galleries (then Contrasts Gallery) until 2009.  She has lived between Ho Chi Minh City, Vietnam, and Padova, Italy in 2009-2016, where she worked at Galerie Qyunh, Craig Thomas Gallery and contributed to Art Radar.

Mai holds a BA in Chinese | History of Art and Archaeology and an MA in Chinese Studies from the School of Oriental and African Studies (SOAS), University of London, UK, as well as an MSc in Development Studies | Conservation of Cultural Heritage from the School of Development, Innovation and Change (SDIC), University of Bologna, Italy. She has worked in the conservation of world cultural heritage in Rome and in contemporary art galleries in London, Shanghai and Ho Chi Minh City. Her articles have been published in Art Review Asia, Art Radar, The Culture Trip and CoBo Social.

Mai joined the Art Radar team as Copy Editor in May 2013, and became Staff Writer in November of the same year. Continuing to contribute her writing to Art Radar, she took up the role of Managing Editor from November 2015 to December 2018, when Art Radar ceased publication.

To continue on and contribute to the dissemination of contemporary art ideas and practices from Asia, Mai founded ASIA in Spring 2019.

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