Minguo Landscape

Chinese artist Qiu Anxiong (b. 1972, Chengdu) is part of the third generation of video and new media artists that emerged in mid-1990s China. His unique artistic approach weaves traditional influences with new technical skills, creating artworks that merge traditional ink painting, evocative imagery of ancient and modern China, and contemporary animation techniques.

Minguo Landscape (民国山水) is a black-and-white animation produced in 2007, adopting a Chinese ink painting style to depict nostalgic images of China during the Republican era, a moment in history right after the fall of the Qing dynasty and before the Communist period. This particular time fascinates the artist for the coexistence of clashing values and the cross-pollination between traditional Chinese culture and modern Western civilisation.

The work fluidly shifts between scenes of the countryside, such as rural town centres, old Shanghai gramophones, village fishing boats, modern ships and children practicing calligraphy, communicating a sense of romance and conflict through a poetic idealisation of the past.


About ASIA

ASIA | Art Spectacle International Asia is an independent online magazine covering contemporary art from Asia-Pacific to the Middle East.

Founder and Editor C. A. Xuân Mai Ardia is a Vietnamese-Italian from Padova, Italy. She currently resides near Venice, Italy, but she has lived around the world for more than 20 years. London was her home throughout university and her first forays in the art world and gallery work, until she moved to Shanghai in 2006 where she worked for Pearl Lam Galleries (then Contrasts Gallery) until 2009.  She has lived between Ho Chi Minh City, Vietnam, and Padova, Italy in 2009-2016, where she worked at Galerie Qyunh, Craig Thomas Gallery and contributed to Art Radar.

Mai holds a BA in Chinese | History of Art and Archaeology and an MA in Chinese Studies from the School of Oriental and African Studies (SOAS), University of London, UK, as well as an MSc in Development Studies | Conservation of Cultural Heritage from the School of Development, Innovation and Change (SDIC), University of Bologna, Italy. She has worked in the conservation of world cultural heritage in Rome and in contemporary art galleries in London, Shanghai and Ho Chi Minh City. Her articles have been published in Art Review Asia, Art Radar, The Culture Trip and CoBo Social.

Mai joined the Art Radar team as Copy Editor in May 2013, and became Staff Writer in November of the same year. Continuing to contribute her writing to Art Radar, she took up the role of Managing Editor from November 2015 to December 2018, when Art Radar ceased publication.

To continue on and contribute to the dissemination of contemporary art ideas and practices from Asia, Mai founded ASIA in Spring 2019.

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