Every Step in the Right Direction: Singapore Biennale 2019

Amidst the Coronavirus pandemic, ASIA runs an exclusive photo gallery of the Singapore Biennale 2019 closing this week..

Singapore Biennale 2019 Curatorial Team. From left to right: John Tung, Goh Sze Ying, Renan Laru-an, Patrick D. Flores, Andrea Fam, Anca Verona Mihuleţ and Vipash Purichanont. Image courtesy Singapore Art Museum.
Singapore Biennale 2019 Curatorial Team. From left to right: John Tung, Goh Sze Ying, Renan Laru-an, Patrick D. Flores, Andrea Fam, Anca Verona Mihuleţ and Vipash Purichanont. Image courtesy Singapore Art Museum.

“Every Step in the Right Direction”, the Singapore Biennale 2019, has gathered the work of 77 artists and art collectives from 36 countries and territories since 22 November 2019 across various venues in Singapore. Amidst the worldwide coronavirus pandemic, many major museums, galleries and events worldwide have closed or are closing. However, as one of the first countries to experience the contagion, Singapore still holds strong in its art and culture scene, and the Singapore Biennale 2019 is no exception. With the due health recommendations, visitors can still explore the ingenious art that is on display until 22 March 2020.

Artistic Director Patrick D. Flores, assisted by six curators, has placed a strong focus on Southeast Asia in the sixth edition of the Biennale. The curatorial team consists of a combination of in-house and external curators, including SAM Assistant Curators Andrea Fam and John Tung, National Gallery Singapore Assistant Curator Goh Sze Ying, Manila-based independent researcher and curator Renan Laru-an, art historian and Seoul-based independent curator Anca Verona Mihulet, and Bangkok-based independent curator Vipash Purichanont.

Boedi Widjaja, Black—Hut, Black—Hut, 2019, detail. Image courtesy Singapore Art Museum.
Boedi Widjaja, Black—Hut, Black—Hut, 2019, detail. Image courtesy Singapore Art Museum.

Titled “Every Step in the Right Direction”, the Singapore Biennale 2019 focuses on the imperative of making choices and taking the steps to consider current conditions and the human endeavour for change and betterment. This, unforeseen by the curators, is particularly relevant today, in our current worldwide health – and economic – crisis. SB19 reflects on the potential and abilities of the artists to rework the possibilities of the world. Audiences are encouraged to participate in the act of transforming the world around us, exploring artists’ ideas, and reflecting upon them to make changes happen – to make a step in the right direction. Flores says:

It may be said that the world is troubled. To sense such a state of flux is to acknowledge the situation and begin to face it. For Singapore Biennale 2019: we ask – what is the possibility of art, the artist, and the audience in light of this trouble? What is the responsibility of the artwork, its making, and its experience in the prospects of future action? As we believe, every effort to change the world for the better matters. SB2019 puts its faith squarely in the potential of art and its understanding to rework the world, expressed in the Biennale title: Every Step in the Right Direction.

SB2019 is spread around 11 venues across the city, spanning Singapore’s landmark cultural institutions, historical and vital public spaces. The artworks converse with the sites in which they are located, making each location become a central part of their conception and experience. “Every Step in the Right Direction” features over 150 works across diverse media including film, installation, sound art and performance, as well as new commissions and works that have never been presented in contemporary art biennales and exhibitions internationally.

In these “troubled times”, when visiting art exhibitions and institutions is rather difficult, let’s savour what we can online. STAY HOME. This is ‘Art in the Time of Coronavirus’.

About ASIA

ASIA | Art Spectacle International Asia is an independent online magazine covering contemporary art from Asia-Pacific to the Middle East.

Founder and Editor C. A. Xuân Mai Ardia is a Vietnamese-Italian from Padova, Italy. She currently resides near Venice, Italy, but she has lived around the world for more than 20 years. London was her home throughout university and her first forays in the art world and gallery work, until she moved to Shanghai in 2006 where she worked for Pearl Lam Galleries (then Contrasts Gallery) until 2009.  She has lived between Ho Chi Minh City, Vietnam, and Padova, Italy in 2009-2016, where she worked at Galerie Qyunh, Craig Thomas Gallery and contributed to Art Radar.

Mai holds a BA in Chinese | History of Art and Archaeology and an MA in Chinese Studies from the School of Oriental and African Studies (SOAS), University of London, UK, as well as an MSc in Development Studies | Conservation of Cultural Heritage from the School of Development, Innovation and Change (SDIC), University of Bologna, Italy. She has worked in the conservation of world cultural heritage in Rome and in contemporary art galleries in London, Shanghai and Ho Chi Minh City. Her articles have been published in Art Review Asia, Art Radar, The Culture Trip and CoBo Social.

Mai joined the Art Radar team as Copy Editor in May 2013, and became Staff Writer in November of the same year. Continuing to contribute her writing to Art Radar, she took up the role of Managing Editor from November 2015 to December 2018, when Art Radar ceased publication.

To continue on and contribute to the dissemination of contemporary art ideas and practices from Asia, Mai founded ASIA in Spring 2019.

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