Jen Liu, Pink Slime Caesar Shift Gold Edition, 2019. Installation view at Asian Civilisations Museum, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Jen Liu, Artwork Activation of Pink Slime Caesar Shift Gold Edition, 2019. Performance and installation view at Asian Civilisations Museum, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Jen Liu, Pink Slime Caesar Shift Gold Edition, 2019. Installation view at Asian Civilisations Museum, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Jen Liu, Pink Slime Caesar Shift Gold Edition, 2019. Installation view at Asian Civilisations Museum, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Lawrence Lek, 2065 (Singapore Centennial Edition), video still. Image courtesy the artist.
Okui Lala, National Language Class Our Language Proficiency, video stills. Image courtesy the artist.
Okui Lala, Our National Language Class Our Language Proficiency, 2019, installation view. Image courtesy Singapore Art Museum.
Amanda Heng, Every Step Counts, 2019, multi-disciplinary project: workshop, text work in public space, archival footage, video projection and live performance.
Collection of the artist.
Singapore Biennale 2019 commission. Workshop documentation, Singapore Biennale 2019. Image courtesy the artist and Denise Yap.
Phare, the Battambang Circus, Phum Style, performance at Singapore Biennale 2019 Opening Reception. Image courtesy Singapore Art Museum.
Phare, the Battambang Circus, Phum Style, 2019, backdrop. Installation view, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Khairullah Rahim, Intimate Apparitions, 2019, installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Korakrit Arunanondchai, Together with history in a room filled with people with funny names 3-5, 2015–2019, two-channel synced HD video, 1h:10min. Collection of the artist. Singapore Biennale 2019 commission. Images courtesy the artist and BANGKOK CITYCITY GALLERY, Bangkok;
C L E A R I N G, New York/Brussels; Carlos/Ishikawa, London.
Korakrit Arunanondchai, Together with history in a room filled with people with funny names 3-5, 2015–2019, two-channel synced HD video, 1h:10min. Collection of the artist. Singapore Biennale 2019 commission. Images courtesy the artist and BANGKOK CITYCITY GALLERY, Bangkok;
C L E A R I N G, New York/Brussels; Carlos/Ishikawa, London.
Karolina Bregula, Square, 2018, installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Busui Ajaw, Ayaw Jaw Bah, 2019, installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Busui Ajaw, Ayaw Jaw Bah, 2019, installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Chang En-Man and John Tung at Snail Paradise – A Gastronomic Experience, performance at Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Chang En-Man, Snail Paradise – A Gastronomic Experience, performance at Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Chang En Man, Snail Paradise, 2019, site-specific installation: photography, videography, embroidery and recipes, dimensions variable. Collection of the artist. Singapore Biennale 2019 commission. Installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Chang En Man, Snail Paradise, 2019, site-specific installation: photography, videography, embroidery and recipes, dimensions variable. Collection of the artist. Singapore Biennale 2019 commission. Installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Kray Chen, 5 Rehearsals of a Wedding, 2017, single-channel video, 29min:00sec. Collection of the artist. Image courtesy the artist.
Dusadee Huntrakul, The Map for the Soul to Return to the Body, 2019, installation view at Gillman Barracks, Singapore Biennale 2019.
Image courtesy Singapore Art Museum.
Hafiz Rancajale, Social Organism, 2017–2019, drawings on paper, objects, multi-variable installations, books in vitrine, video and documentation, dimensions variable. Collection of the artist. Installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Hafiz Rancajale, Song of Indonesian Modern Art, 2012. Installation view at Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Hu Yun, Carving Water, Melting Stones, 2019, installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Lim Sokchanlina, Letter to the Sea, 2019, installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Lim Sokchanlina, Letter to the Sea, 2019, video still. Image courtesy Singapore Art Museum.
Nabilah Nordin, An Obstacle in Every Direction, 2019, installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Paphonsak La-or, Far From Home (Meeting Place), 2019, installation view at National Library, Singapore Biennale 2019. image courtesy Singapore Art Museum.
Paphonsak La-or, Far From Home (Meeting Place), 2019, paintings, installation view at Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Post-Museum, Bukit Brown Index #132: Triptych of the Unseen, 2018, Wayang stage, chairs, cardboard virtual reality (VR) goggles and archival materials in joss paper construction, 550 x 400 x 244 cm; duration 8min:27sec (‘Ghost’), 6min:51sec (‘Bureaucrat’), 9min:43sec (‘Activist’). Collection of the artists. Installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Post-Museum, Bukit Brown Index #132: Triptych of the Unseen, 2018, Wayang stage, chairs, cardboard virtual reality (VR) goggles and archival materials in joss paper construction, 550 x 400 x 244 cm; duration 8min:27sec (‘Ghost’), 6min:51sec (‘Bureaucrat’), 9min:43sec (‘Activist’). Collection of the artists. Installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Ruangsak Anuwatwimon, Reincarnations (Hopea Sangal and Sindora Wallichii), 2019, glass, stainless steel and paper, dimensions variable. Collection of the artist. Singapore Biennale 2019 commission. Installation view (detail) at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Ruangsak Anuwatwimon, Reincarnations (Hopea Sangal and Sindora Wallichii), 2019, glass, stainless steel and paper, dimensions variable. Collection of the artist. Singapore Biennale 2019 commission. Installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Koki Tanaka, Abstracted / Family (video still), 2019, single-channel video installation. Installation, dimensions variable; duration 1h:42min:08sec. Collection of the artist. Co-commissioned with Aichi Triennale 2019. Image courtesy the artist and Vitamin Creative Space, Guangzhou; Aoyama Museum of Art.
Koki Tanaka, Abstracted / Family (video still), 2019, single-channel video installation. Installation, dimensions variable; duration 1h:42min:08sec. Collection of the artist. Co-commissioned with Aichi Triennale 2019. Installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Koki Tanaka, Abstracted / Family (video still), 2019, single-channel video installation. Installation, dimensions variable; duration 1h:42min:08sec. Collection of the artist. Co-commissioned with Aichi Triennale 2019. Image courtesy Singapore Art Museum.
Zai Tang, Escape Velocity III (artist impression), 2019, graphite, charcoal, ink on paper, 10” dubplate, turntables, MaxMSP and computer, dimensions variable. Collection of the Artist. Singapore Biennale 2019 commission. Image courtesy the artist.
Zai Tang, Escape Velocity III (artist impression), 2019, in collaboration with Simon Ball, digital animation, projection and stereo sound, duration 7min:30sec. Collection of the Artist. Singapore Biennale 2019 commission. Image courtesy the artist.
Vanghoua Anthony Vue, Present-past-patterns, 2019, vinyl, photographic prints and duct tape, dimension variable. Collection of the Artist. Singapore Biennale 2019 commission. Installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Vanghoua Anthony Vue, Present-past-patterns, 2019, vinyl, photographic prints and duct tape, dimension variable. Collection of the Artist. Singapore Biennale 2019 commission. Installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Zakaria Omar, Fossils of Shame: The Pillars, 2010, 2019, sculpted driftwood from demolished stilt houses, 60 x 60 x 300 cm (each). Collection of the Artist. Installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Robert Zhao Renhui, Queen’s Own Hill and its Environs (detail), 2019, photography, video and found objects in display cabinet with artist-led tours, 240 x 500 x 60 cm. Collection of the Artist. Singapore Biennale 2019 commission. Image courtesy the artist.
Robert Zhao Renhui, Queen’s Own Hill and its Environs (detail), 2019, photography, video and found objects in display cabinet with artist-led tours, 240 x 500 x 60 cm. Collection of the Artist. Singapore Biennale 2019 commission. Image courtesy Singapore Art Museum.
Robert Zhao Renhui, Queen’s Own Hill and its Environs, 2019, photography, video and found objects in display cabinet with artist-led tours, 240 x 500 x 60 cm. Collection of the Artist. Singapore Biennale 2019 commission. Installation view at Gillman Barracks, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Arnont Nongyao, Opera of Kard (Market), 2019, 12-channel video installation, dimensions variable. Collection of the Artist. Singapore Biennale 2019 commission. Installation view at LASALLE College of the Arts, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Centro Audiovisual Max Stahl Timor-Leste (CAMSTL), Birth (of a Nation) (video still), 2019, 7-channel video installation: soundscape and computer terminal. Installation and dimensions variable; duration 1h:00min. Collection of the Artist. Singapore Biennale 2019 commission. Image courtesy the artists.
Centro Audiovisual Max Stahl Timor-Leste (CAMSTL), Birth (of a Nation) (video still), 2019, 7-channel video installation: soundscape and computer terminal. Installation and dimensions variable; duration 1h:00min. Collection of the Artist. Singapore Biennale 2019 commission. Image courtesy the artists.
Desire Machine Collective, Nishan II (video still), 2019, two-channel video, duration 7min:36sec. Collection of the Artists. Singapore Biennale 2019 commission. Image courtesy the artists.
Soyung Lee, Gooseberry Project (installation detail), 2009–2019, 7 works, various media, dimensions variable; video duration 13min:33sec. Collection of the Artist. Loans and Singapore Biennale 2019 commissions. Installation view at LASALLE College of the Arts, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Gary-Ross Pastrana, scenes from the play Cleansed, 2019, staged by Langgam Performance Troupe, Manila. Images courtesy the artist.
Gary-Ross Pastrana, scenes from the play Cleansed, 2019, staged by Langgam Performance Troupe, Manila. Images courtesy the artist.
Prapat Jiwarangsan, Aesthetics 101, 2019, six-channel slide and video projection, 2 light boxes and film slides, dimensions variable. Collection of the Artist. Singapore Biennale 2019 commission. Image courtesy Singapore Art Museum.
Prapat Jiwarangsan, Aesthetics 101 (video still), 2019, six-channel slide and video projection, 2 light boxes and film slides, dimensions variable. Collection of the Artist. Singapore Biennale 2019 commission. Image courtesy the artist.
Tracey Rose, Hard Black on Cotton, 2019, installation of pencil on paper works (set of 9), 84 x 125 x 1 cm (framed). Collection of the Artist. Singapore Biennale 2019 commission. Installation view at LASALLE College of the Arts, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Tracey Rose, Hard Black on Cotton, 2019, installation of pencil on paper works (set of 9), 84 x 125 x 1 cm (framed). Collection of the Artist. Singapore Biennale 2019 commission. Installation view at LASALLE College of the Arts, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Tracey Rose, Hard Black on Cotton, 2019, installation of pencil on paper works (set of 9), 84 x 125 x 1 cm (framed). Collection of the Artist. Singapore Biennale 2019 commission. Installation view at LASALLE College of the Arts, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Miljohn Ruperto, Geomancies, 2007-2017, 5 works,single-channel videos and lenticular print, various durations; 40 x 50 cm. Collection of the Artist. Installation view at LASALLE College of the Arts, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Miljohn Ruperto, Ordinal (SWNE) (video stills) from Geomancies, 2007-2017, 5 works,single-channel videos and lenticular print, various durations; 40 x 50 cm. Collection of the Artist. Production supported by: National Commission for Culture and the Arts (NCCA)
and Deputy Speaker Loren Legarda. Images courtesy Rini Yun Keagy and the artist.
Miljohn Ruperto, Ordinal (SWNE) (video stills) from Geomancies, 2007-2017, 5 works,single-channel videos and lenticular print, various durations; 40 x 50 cm. Collection of the Artist. Production supported by: National Commission for Culture and the Arts (NCCA)
and Deputy Speaker Loren Legarda. Images courtesy Rini Yun Keagy and the artist.
Larry Achiampong, Relic 3, 2019, single-channel video, duration 12min:45sec. Collection of the Artist. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Larry Achiampong, Relic 3, 2019, single-channel video, duration 12min:45sec. Collection of the Artist. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Boedi Widjaja, Black—Hut, Black—Hut, 2019, 2019, mixed media installation: salt-infused concrete, sound, petrified wood and metal, dimensions variable. Collection of the Artist. Co-commissioned with Queensland Art Gallery |
Gallery of Modern Art for Singapore Biennale 2019 and the 9th Asia Pacific Triennial of Contemporary Art. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Hera Buyuktasciyan, A Study on Endless Archipelagos (detail), 2017–2019, sculptural installation: cement, bronze and wood, dimensions variable. Courtesy of the Artist and Green Art Gallery, Dubai. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Hera Buyuktasciyan, Seldom Seen, Soon Forgotten, 2018–2019, site-specific installation: capiz shells, wood and metal, dimensions variable. Courtesy of the Artist, Green Art Gallery, Dubai and Bellas Artes Projects. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
C&G, Am I A Ghost?, 2019, multimedia installation: film clips, questionnaire, drawings and poster, dimensions variable. Collection of the Artists. Singapore Biennale 2019 commission. Production supported by: Hong Kong Arts Development Council. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Sharon Chin, In the Skin of a Tiger: Monument to What We Want (Tugu Kita), 2019, 13 banners made from reclaimed fabric, dimensions variable. Collection of the Artist. Singapore Biennale 2019 commission. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Céline Condorelli + Artists’ Archives:
Raymundo Albano, Ha Bik Chuen, Ismail Zain, Judy Freya Sibayan, Carlos Villa, Spatial Composition 13, 2019, steel, fabric, wood and newspaper, dimensions variable. Collection of the Artist. Singapore Biennale 2019 commission. Installation view at National Gallery Singapore, Singapore Biennale 2019. image courtesy Singapore Art Museum.
Chia-Wei Hsu, Stones and Elephants, 2019, two-channel video installation,dimensions variable. Collection of the Artist. Singapore Biennale 2019 commission. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Le Quang Ha, Gilded Age, 2018, mixed media installation: paintings, sculptures and videos, dimensions variable. Collection of the Artist, and Collection of Singapore Art Museum (The Dictator). Loans and Singapore Biennale 2019 commission. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Mathias Kauage, Marbles, 1988, acrylic on canvas, 158 x 180 cm. Courtesy of Andrew Baker Art Dealer, Brisbane.
Min Thein Sung, Time: Dust, 2017–2019, dust on canvas and cotton, 29 pieces, various dimensions. Collection of the Artist. Singapore Biennale 2019 commission. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
muf architecture_art, Absentee Landlords, 2019, in collaboration with Collage Arts and Objectif. Video and seat with cushions made by Studio 306, dimensions variable, duration 10min.
Collection of the Artists. Singapore Biennale 2019 commission. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Alfonso Ossorio, Mirror Point, 1960 (detail), from Congregations, 1958-1990, 6 works, various media, dimensions variable. Various collections. Image courtesy Singapore Art Museum.
Ngoc Nau, Chapter 2 The Blessed Child, 2019, installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Vong Phaopanit and Claire Oboussier, Never real historians, always near poets (video still), 2019, single-channel video, duration 41min:51sec. Collection of the Artists. Singapore Biennale 2019 commission. Image courtesy the artists.
Ali Akbar Sadeghi, Animation Films (animation stills). Image courtesy the Ali Akbar Sadeghi Foundation.
Haifa Subay, War and Humans, 2019, series of 9 murals, dimensions variable. Collection of the Artist. Singapore Biennale 2019 commission. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Haifa Subay, War and Humans, 2019, series of 9 murals, dimensions variable. Collection of the Artist. Singapore Biennale 2019 commission. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Dennis Tan, Many waters to cross, 2019, durational performance-construction resulting in hand-crafted timber boat and 2-channel video
Performance-construction duration: 8 months; kolek boat: 900 x 80 x 80 cm. Collection of the Artist. Singapore Biennale 2019 commission. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Vandy Rattana, MONOLOGUE, 2015, single-channel video, duration 19min:03sec. Collection of Singapore Art Museum. Image courtesy the artist.
Vandy Rattana, Funeral, 2018, single-channel video, duration 45min:09sec. Collection of Singapore Art Museum. Image courtesy the artist.
Wu Tsang, One emerging from a point of view, 2019, two-channel overlapping projections and 5.1 surround sound, duration 43min. Courtesy of Galerie Isabella Bortolozzi, Berlin; Cabinet, London; Antenna Space, Shanghai
Commissioned and co-produced by Sharjah Art Foundation and Onassis Fast Forward Festival. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Wu Tsang, One emerging from a point of view, 2019, two-channel overlapping projections and 5.1 surround sound, duration 43min. Courtesy of Galerie Isabella Bortolozzi, Berlin; Cabinet, London; Antenna Space, Shanghai
Commissioned and co-produced by Sharjah Art Foundation and Onassis Fast Forward Festival. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Zakkubalan, in collaboration with Ryuichi Sakamoto, async – volume, 2017, 24-channel video installation, dimensions variable. Collection of Kinetic Art & Business Inc. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Zakkubalan, in collaboration with Ryuichi Sakamoto, async – volume, 2017, 24-channel video installation, dimensions variable. Collection of Kinetic Art & Business Inc. Installation view at National Gallery Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Lani Maestro, sitsit sa kuliglig. (whatever circles from the center), 2019, mixed media installation: wooden structure, capiz shells, marble and metal
Structure: 300 x 500 cm; marble balls: 30.5 cm (diameter). Collection of the Artist. Singapore Biennale 2019 commission. Installation view at National Museum of Singapore, Singapore Biennale 2019. Image courtesy Singapore Art Museum.
Laurie Anderson and Hsin-Chien Huang, La camera insabbiata (The Chalkroom), 2017, virtual reality (VR) installation, dimensions variable. Collection of the Artists. Installation view at SMU de Suantio Gallery, Singapore Biennale 2019. Image courtesy Singapore Art Museum.