Biennale of Sydney announces 2020 exhibition

Led by Artistic Director Brook Andrew, the 2020 Biennale of Sydney will be titled "NIRIN".

Biennale of Sydney 2020 "NIRIN", artist group. From left: Léuli Eshrãghi, Jo-Anne Birnie-Danzker, Kylie Kwong, Barbara McGrady, Gina Athena Ulysse, S.J Norman, Lhola Amira, Tony Albert, Nicholas Galanin, Lisa Reihana, Brook Andrew, Katarina Matiasek, Arthur Jafa, Latai Taumoepea. Photo: Joshua Morris.
Biennale of Sydney 2020 “NIRIN”, artist group. From left: Léuli Eshrãghi, Jo-Anne Birnie-Danzker, Kylie Kwong, Barbara McGrady, Gina Athena Ulysse, S.J Norman, Lhola Amira, Tony Albert, Nicholas Galanin, Lisa Reihana, Brook Andrew, Katarina Matiasek, Arthur Jafa, Latai Taumoepea. Photo: Joshua Morris.

On 9 April 2019, the Biennale of Sydney announced the title of its 2020 edition, “NIRIN”, alongside the names of the first 33 participating artists. The Biennale of Sydney is the third oldest in the world, after Venice and São Paulo, and the largest in Australia. 2020 will see its 22nd edition, led by Artistic Director Brook Andrew. An interdisciplinary artist who examines dominant narratives, often relating to colonialism and modernist histories, Andrew chose the title for the Biennale, “NIRIN”, meaning ‘edge’, which interestingly is a word of Andrew’s mother’s Nation, the Wiradjuri people of western New South Wales. The Biennale, reflecting on the 2019 year of Indigenous Languages, thus provides an important platform to advocate for First Nation languages in the main stream.

Lisa Reihana, Pursuit of Venus [infected] (detail), 2015–17, Ultra HD video, colour, 7.1 sound, 64min. Image courtesy the artist and New Zealand at Venice.
Lisa Reihana, Pursuit of Venus [infected] (detail), 2015–17, Ultra HD video, colour, 7.1 sound, 64min. Image courtesy the artist and New Zealand at Venice.

There are seven themes that inspire “NIRIN”: DHAAGUN (Earth: Sovereignty and Working Together); BAGARAY-BANG (Healing); YIRAWY–DHURAY (Yam-Connection: Food); GURRAY (Transformation); MURIGUWAL GIILAND (Different Stories); NGAWAAL-GUYUNGAN (Powerful-Ideas: The Power of Objects); and BILA (River: Environment).

Lhola Amira, Amigos em Pindorama Abahlobo ePindorama I, 2019, Epson hot press natural giclee mounted Diasec, 110 x 165 cm, Edition 1 of 3 + 2AP. Image courtesy the artist.
Lhola Amira, Amigos em Pindorama Abahlobo ePindorama I, 2019, Epson hot press natural giclee mounted Diasec, 110 x 165 cm, Edition 1 of 3 + 2AP. Image courtesy the artist.

In addition to the title, the announcement also included the names of the first 33 participating artists, with Tony Albert (Australia), Lhola Amira (South Africa), Sammy Baloji (Congo), Huma Bhabha (Pakistan), Blacktown Native Institution (Dharug Nation, Australia), Lawrence Abu Hamdan (Lebanon), Mayunkiki (Japan), Kylie Kwong (Australia) and Lisa Reihana (New Zealand), among others. Quoted in the annoucement press release, Brook Andrew said of “NIRIN”:

NIRIN is not a periphery, it is our centre, and it expresses dynamic existing and ancient practices that speak loudly. NIRIN decentres, challenges and transforms dominant narratives, such as the 2020 Captain Cook anniversary in Australia and reorients Western mapping, shining a light on sites of being that are often ignored or rendered invisible. NIRIN is an inspirational journey driven by stories and grass-root practices, realised through twisting perceptions, moments of transition and a sense of being in the world that is interconnected.

The Biennale of Sydney also announced the appointment of three new members of its Board of Directors: Warrimay entrepreneur from New South Wales Josephine Cashman, one of Australia’s most esteemed publishers of quality journalism and literature Morry Schwartz AM, and Chris Wirasinha, co-founder of Pedestrian.tv, Australia’s largest youth focused publishing brand .

The 22nd Biennale of Sydney, “NIRIN”, will run from 14 March to 8 June 2020 at the Art Gallery of New South Wales, Artspace, Campbelltown Arts Centre, Cockatoo Island, Museum of Contemporary Art Australia and the National Art School in Sydney.

About ASIA

ASIA | Art Spectacle International Asia is an independent online magazine covering contemporary art from Asia-Pacific to the Middle East.

Founder and Editor C. A. Xuân Mai Ardia is a Vietnamese-Italian from Padova, Italy. She currently resides near Venice, Italy, but she has lived around the world for more than 20 years. London was her home throughout university and her first forays in the art world and gallery work, until she moved to Shanghai in 2006 where she worked for Pearl Lam Galleries (then Contrasts Gallery) until 2009.  She has lived between Ho Chi Minh City, Vietnam, and Padova, Italy in 2009-2016, where she worked at Galerie Qyunh, Craig Thomas Gallery and contributed to Art Radar.

Mai holds a BA in Chinese | History of Art and Archaeology and an MA in Chinese Studies from the School of Oriental and African Studies (SOAS), University of London, UK, as well as an MSc in Development Studies | Conservation of Cultural Heritage from the School of Development, Innovation and Change (SDIC), University of Bologna, Italy. She has worked in the conservation of world cultural heritage in Rome and in contemporary art galleries in London, Shanghai and Ho Chi Minh City. Her articles have been published in Art Review Asia, Art Radar, The Culture Trip and CoBo Social.

Mai joined the Art Radar team as Copy Editor in May 2013, and became Staff Writer in November of the same year. Continuing to contribute her writing to Art Radar, she took up the role of Managing Editor from November 2015 to December 2018, when Art Radar ceased publication.

To continue on and contribute to the dissemination of contemporary art ideas and practices from Asia, Mai founded ASIA in Spring 2019.

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